The Weapons director delivers a seat-edge thriller with a standout lead performance from Austin Abrams as an everyman navigating chaos
Typically horror fans react to blatant on-screen stupidity with vocal derision. Don’t go in there! Girl, get out of the house! Guys, ignore that distress signal! But genre aficionados may find themselves falling a little bit in love with Bryan (Austin Abrams), the hapless de facto hero of the new horror film Resident Evil. It’s not that Bryan is traditionally hunky, or even a caricatured version of a square-jawed warrior, like Bruce Campbell in his later Evil Dead outings. But Abrams is in possession of a Campbell-ish charm, even in the face of his character’s repeated blundering, as well as an everyman relatability that makes this wild carnival-ride movie play a little closer to the ground.
Bryan is a courier – a glorified Postmates driver, in his own estimation – who postpones the end of his shift to take one last night-time run, driving an important item from one hospital to another in a snowstorm without the proper tires or four-wheel drive. After all, the distance and urgency means double pay. When he hits a mysterious woman who emerges suddenly on to a slick road, he’s drawn into a hellish outbreak that will look familiar to fans of the Resident Evil video game series (or maybe the previous six-movie Milla Jovovich franchise, which apparently drifted afield from the games’ storylines).
