As her band hits the road, the metal trailblazer answers your questions on sexualisation in show business, finding inspiration in dreams and Spinal Tap moments on tour
You wrote Bring Me to Life when you were 19. When you perform it now, how do you relate to the younger you? becgoldsmith
I was in an abusive relationship, so Bring Me to Life was partly about processing the reality of that abuse and asking myself, what are you gonna do about it? Like, pick yourself up. I wrote it when I was crushing on my [now] husband, but the theme is about a quest for something bigger: opening your heart, finding more depth. It’s very empowering to perform it now in huge places; I’m very proud of the 19-year-old me that wrote it.
Artists often reveal their influences through the songs they choose to cover. You’ve performed both It’s a Fire and Glory Box by Portishead. What drew you to those songs? VerulamiumParkRanger
Beth Gibbons was one of my greatest vocal and musical inspirations. In the 90s when I was a young teen really feeling music I loved Portishead, Massive Attack and the whole trip-hop vibe. It was dark and cool, really different. Beth’s vocals have a way of teetering on an emotional crack, on the edge of wild, barely restrained emotion but never belting, which I always thought was so cool and enticing. I could happily do an entire album of nothing but Portishead covers.
