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Today: September 5, 2026
September 5, 2026
1 min read

A Long Winter review – hope, desire and subversion in Andrew Haigh’s beautiful winter western

Telluride film festival
In a remote Colorado farmstead, a family with a mother gone missing finds a strange buoyancy and freedom as they wait for the snows to melt

Andrew Haigh’s mysterious and beautiful new film is adapted by him from the 2006 story by Colm Tóibín, transplanting the action from the 1930s Spanish Pyrenees to the wintry, vertiginous landscapes of Colorado about the time of the Korean war. It is a poignant, subversive study of grief and desire, and the terrible, infantilised loneliness of men without women; it is fiercely acted, and wonderfully shot by cinematographer André Turpin.

Lester, played by Ebon Moss-Bachrach, is a grizzled, hardened farmsteader in the remote hills whose family has a certain sufficiency from their livestock; he makes a precarious living breeding rabbits for their meat and fur. One son, Tommy (Kit Connor) is leaving for military service, leaving behind his shy brother Mikey (Fred Hechinger); Mikey has secret gay longings, which are nourished by furtive glimpses of glossy Cosmopolitan magazines, with their impossibly exotic visions of big-city fashion and design.

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