How did the pioneering director get involved – then fall out – with the 80s’ poppiest band? How are Sam Peckinpah and Michael Jackson’s Thriller involved? Prepare for a tale of ambition, deception and shuttlecock-stuffed shorts
When Wham! squashed Lindsay Anderson’s China film
Andrew Ridgeley on Wham’s surreal trip to China
It was the evening of 3 April 1985 in a hotel in Hong Kong. Lindsay Anderson, who I’d engaged to direct the theatrical documentary I’d instigated of Wham!’s historic trip to China, had called a meeting of the film crew. He wanted to give a pep talk the night before we flew to Beijing.
The 30-strong team my production company had recruited for this adventure duly assembled. Lindsay gave a speech in the stentorian tones of an elder statesman addressing the House of Commons and rooted in Henry V’s St Crispin’s Day oration. And typical Lindsay, he mixed shrewd observation with sardonic wit. “Tomorrow we embark on a great adventure,” he said. “We travel into communist China with George and Andrew – ‘Apostles of the New Materialism.’”
